Sunday, July 27, 2014

Course Evaluation


EVALUATION OF YOUR WORK:
Because this is a graduate course, I want you to focus on learning and not get distracted by “getting a grade.” For that reason, you are given the opportunity to revise your major written enterprises to a place where you are pleased with the results. In order to pass this course, each of your written assignments must achieve an “ACCEPTABLE” level of achievement.
Keeping a standard of competence in writing, reading, and thinking at the university in mind, I will assign one of three categories to all major assignments (case study drafts, teaching artifact, and mentor text prompts. They are:
“Revision Needed”
Work that is marked in this category requires revision in order to strengthen meaning, to correct errors in print code conventions, or to strengthen its adherence to the appropriate forms of the academy. Please bear in mind that most first drafts require revisions because they are usually unpolished drafts in which the writer is working out his or her ideas. This is true for writers on ALL LEVELS and is not a sign of deficiency.
You must revise any "Revision Needed" work until it receives an "ACCEPTABLE" moniker.

“Acceptable
Work that is marked in this category has achieved the following:
a clearly- focused idea
exhibits thoughtful organization and attention to the reader's needs
adherence to the conventions of the print code
adherence to appropriate forms of the academy
uses research and experts' views to strengthen its points
This does not mean that an "accept" paper is perfect or even exceptional. It means that this paper has achieved its goals competently, without serious errors, which may impede a reader's understanding. If you receive an Accept and on all your papers and complete the other enterprises of the course, your grade will be a C or better. (The difference between the B and C is the quality of your writing and other work in the course.)

“Distinction”
A paper that is marked in this category exceeds the criteria for an "acceptable" paper. In this paper, careful attention is given to shaping the reader's experience with the text in its style and arrangement. Although there are many things, which set an outstanding paper apart from an acceptable one, the biggest difference is a matter of the clarity of expression and organization and the depth and complexity of the ideas expressed. Outstanding papers are end products of lot of thinking, wrestling, and work on writing. A paper that achieves this category exhibits the following:
excellent organization and expression of ideas
expresses the relationships between ideas fluently and creatively
evinces originality and depth of thought
demonstrates a grasp of audience, purpose, and constraints of the rhetorical situation
demonstrates superior mastery of the print code and other conventions of written discourse
goes above and beyond in all course expectations.

Saturday, July 26, 2014

ENGL 240 Introduction to Film


Contact Information

Timothy Shea, Ph.D.
Associate Professor of English
Director of English Graduate Programs
Director of Global Education & Partnerships

Cumberland House
717-872-3064
@TimothyPShea
timothy.shea@millersville.edu



Lee T. Atkins
Graduate Assistant Extraordinaire
Chryst Hall Graduate Office
717-872-3069


Digital Devices in our Class

Cell Phones, Laptops, and Tablets


I EXPECT you to bring at least one of these devices to class every time we meet! Yes, they are important tools to your learning and, without them, you will be hindered in what you can do. We will tweet, Google, post, and blog throughout this semester - both inside and outside of class. Furthermore, in order to have a fighting chance in the changing world that awaits you, you need to know how to use these tools with efficiency, skill, and speed.


That being said, please do not take notes during a film or in class on your devices as you will retain more and be less distracted and distracting when you take notes by hand. Also, please refrain from unrelated surfing and viewing like texting, surfing online, or video watching. When we are having a class conversation or group work, I will ask that you put them to sleep so that you can engage in meaningful, face-to-face interactions with your peers. BALANCE is the key.

These devices are tools but should NEVER take the place of engaging face-to-face with our learning community as we grapple with a range of ideas. So tweet, blog, and wiki but don't forget to listen, nod, and question, too!

Film Viewings

Here are the films we plan to view for the semester:

WEEK:               FILM:                                               READING:                               ASSIGNMENT:

8/25                       Little Miss Sunshine                  Syllabus


9/1                                Labor Day                             Ch. 1


9/8                       Life is Beautiful                               Ch. 2


9/15                        Rear Window                              Ch. 3                                              Notebook 1


9/22                        The Godfather Part II                 Ch. 4                                      Pecha Kucha 1


9/29                       No Country for Old Men           Ch. 8                                                         PK 2


10/6                      The Matrix                                                                MIDTERM EXAM


10/13                  Fall Break (M)                                    Ch. 6                                                PK 3                                                           
 
10/20                   Close Encounters of the Third Kind Ch. 5; pp 119 - 164                Review 1


10/27                   Bowling for Columbine                      Ch. 5; pp. 165- 199                         PK 4

11/3                      Baraka                                                  Ch. 9                                                   PK 5


11/10                    Sunset Boulevard                              Ch. 7; 238 - 250                       Review 2


11/17                    Double Indemnity                            Ch. 7; pp. 251 - 267         Auteur Study                             
                                                                                                                                                   (Honors)


11/24                   The Searchers                                      Ch 10; pp 345 - 364          Notebook 2                               



12/1                     Spirited Away                                      Ch 10; pp 364 - 386

12/8                     Shawshenk Redemption                             FINAL   EXAM

Syllabus